Thursday, April 27, 2017

All the Fluttering Unknown Gods





When the Star Spangled Banner ends . . . “o’er the la-and of the freee, and the home of the braaave,” I reflexively say to myself “Praised be Jesus Christ, now and forever. Amen.”  It was the nun at St. Michael’s, who invoked us daily: “Praised be Jesus Christ,” and we, her third graders, who chanted in Pavlovian response: “Now and forever, Amen.”  1961.

The things you learn from the other kids in the neighborhood: step on a crack, break your mother’s back. But it was easy to not step on a crack, the new sidewalks blocked off in large squares.  Still, you had to concentrate, you had to remember.  Or you might easily step on a crack.  Taken to the extreme we now call this OCD.

When I recited the Apostle’s Creed I used to love saying that I believed “in all things visible and invisible.”  However, what the words are supposed to mean is that we believe that God created all things visible and invisible.

Sacred Heart occupied the northwest corner of Michigan Avenue and Miltary: a parish church, a couple of school buildings, rectory, and convent.  These buildings housed the center of our lives for four or five years and kept most of the rest of the world at arm’s length.  We wore neckties, and plaid skirts to knee-length. 




In almost every classroom at Sacred Heart a familiar print of Christ hung on the frontwall, one hand appearing to bless the viewer, the other pointing to his heart floating visibly in his chest, appearing to be on fire and wrapped in thorns.  No one I knew there grew up to have a vocation, though it was generally agreed on––but not examined too deeply—that going to mass was good thing.

We prayed before football games, knelt on the church steps of Sacred Heart in our game uniforms, helmets in hand, eyeblack high on our cheekbones.  We were supposed to be praying that no one got hurt, but we all knew we were praying to win.  The other schools we played were all Catholic as well; they were praying to win, too.

The walk from football practice back to the locker room was about a mile. Tom Bailey and I believed that if we did not walk this mile together after every single practice bad luck would befall our team.

We lost only four games in three seasons, so who’s to say it didn’t work?

Tommy passed away suddenly and too soon.  But without knowing more of the facts I couldn’t say whether that had been a matter of luck one way or the other.  I know he’s gone, but it’s hard to believe.

The Litany of the Most Sacred Heart of Jesus is rather unremarkable, though in my St. Joseph’s Daily Missal the litany is prefaced by its spiritual value (italics mine): “An indulgence of 7 years.  A plenary indulgence once a month under the usual conditions, if the entire Litany with its versicle and prayer is recited daily for a month.” A drop in the bucket of eternity.

Stevie Wonder provides a pretty good definition of superstition in his eponymous song from 1973: “When you believe in things you don’t understand . . . .”  But you have to listen very carefully to catch the next two lines: “Then you suffer, Superstition ain’t the way.”

“The true mystery of the world is the visible, not the invisible.” So observed Oscar Wilde. 

In the Liard Hot Springs in the Yukon my friend observes the red ribbon my girlfriend tied around my neck for luck and to keep thoughts of her close.  We are on the Al-Can Highway on our way to the big unknown.  1977.

For many years I wore a yellow plastic Livestrong wristband as a talisman against cancer, which I have survived, so far, many times.

My cardiologist, profoundly indifferent to the concept of bedside manner, has assured me that, although my heart will require surgery, I will die of cancer.  My heart problem, my cardiologist tells me, is electrical.  His actual title is Cardiac Electrophysiologist.



On an excursion to Long Beach, Washington in the summer of 2015 to see Jake the Alligator Man I had my fortune delivered to me by Zoltar, a glass-encased automaton: “As blessings of health and fortune have a beginning, so they must also find an end  Everything rises but to fall . . . .”

Of the three medals I wear around my neck only one did I choose myself: St Bernard, patron saint of alpinists and skiers.

I take my friend John into St George’s, a small church in Banff, to see its simple beauty, stained glass. You made the sign of the cross, he observed, And, genuflected.
Yeah, I said, barely conscious of having done either, or at least not conscious of him. Yeah, I did.

After our climb we have an early dinner at that Chinese restaurant on the road just past the bridge over the Bow River in Banff.  My fortune reads: Be persistent in pursuing the goals in your life.  I have been.  Perhaps there is some question as to whether I shall continue to do so.

John’s cookie has no fortune.



The third time I drive the AlCan I am with my sons, their second trip up.  They are not eager to stop at the Liard Hot Springs.  I fear perhaps they had heard that a woman was mauled to death by a grizzly in the upper pool.  No, they say, we call that place the pools of misery.  I am baffled.  Yeah, they said, it’s all old people who are miserable, complaining about their health and how the world has gone to shit.  The place is a drag.

The summer before my son Macklin died he attached the kayak to the roof rack in a hurry and when it flew off, it shattered the car mirror on the passenger side.

I have always picked up pennies, almost obsessively. I then irrationally connect finding them to any good thing that happened that day.  And I sometimes knock on wood.  Black cats, walking under ladders, Friday the 13th have no hold on me.  Though, walking under a ladder seems kind of stupid.  I see that mirror every time I drive that car. I’ll wish on a falling star every chance I have.

As a writer I have always adhered to Faulkner’s dicta from his Nobel Prize acceptance speech, that “the human heart in conflict with itself’ is the only thing worth writing about.

The two people I prayed the hardest for died within six weeks of each other.  I don’t pray for them any more.  I pray for the living.  I suppose I should have praying for their souls all along.  But let’s face it: I was praying for their lives. 

“When the gods wish to punish us they answer our prayers.” Again, Oscar Wilde.

I used to take a “natural” supplement, glucosomine, for hip pain.  Now I take shark cartilage for same.  Neither has been shown scientifically to be effective.  My brother who lives on Maui told me about this, although his hip has already been replaced.

Every day I apply sunblock to my face, even though here in the Alaskan winter we have about five hours of cloudy daylight.  Most of my melanoma, was caused, I have been told, by exposure to sunlight as a child.  So what does it matter what I do now?  It’s a ritual. 

In his poem “I Believe” Jim Harrison admits mostly to things of the world: used tires, brush fires, as well as memories: “the thunderstorm across the lake in 1949.”  But he ends by expressing belief in “the fluttering unknown gods that I nearly see/ from the left corner of my blind eye, struggling/ to stay alive in a world that grinds them underfoot.”

Thirty-five years later I am on my way to Nepal, My wife, the young girlfriend of 1977, ties a small medallion around my neck.  An amulet, for luck.



I was spinning every prayer wheel between Syange and Tatopani.  There were many.  John is utterly indifferent.  I explain that I need all the luck I can get.  My first cancer had 95% mortality rate, and I survived.  My next cancer, just a year prior to the Nepal trip, the odds were 1000 to 1 that it would spread to my lymph nodes.  It did not spread to my lymph nodes. There is not a day I don’t feel lucky to be alive.  I try to explain this good luck to John.  No way, he says, your luck is bad, that’s how you got cancer in the first place.  My good luck is a luck he wants no part of.  But I’ll take it.

Our base camp below Chulu East was at about 16,000 feet.  After our first night there I woke with all the signs of cerebral edema, fatal if unattended.  We had to descend and abandon the climb.  But, I was alive, and therefore very lucky, right?

At a relatively young age I figured out that prayer was just another way of saying I want, I want, I want.  Thereafter, for many years, I did not pray.

I don’t want to visit a psychic, have my fortune told, palms read, astrology charted.  But once I fell for the facebook algorithim that would figure out my cause and age of death: I would drown in a river trying to save a dog.  Okay, I thought.  However, the fact that this would occur when I was 103 years old rather dampened my expectations.

A few days before he died unexpectedly at 22, my son asked me if I had an extra crucifix I could loan him.  I gave him an old one on a string and ordered a nicer one.  He was alone when he drowned.  We put the crucifix in with him.  His brother added a spliff of marijuana about the size of one of Castro’s cigars.  Accidental drowning.

Water enters the lungs, changing the chemistry of the blood, causing it to become more concentrated.  The heart cannot bear the extra weight.  Thus to drown is to die from heart failure.  A broken heart.

When Macklin was child he nursed a tiny bunny to health.  The veterinarian had said that the odds of successfully doing so were 1000 to 1 against.  He considered the thriving bunny to be a miracle.

Subsequently, he rescued a small hawk, that sat on his shoulder but which, ultimately he could not save.  Thus crushed his hope for the second miracle, for sainthood.  I like to think that he found another road to sainthood.  But why it had to be such a tortuous, but nonetheless fast, path, I will never understand.


When my heart’s electrical system overloaded I was deep in the Talkeetna Mountains trying to ski home through three feet of new snow.  In the long night before the helicopter appeared we clung to each other for warmth in a shallow snow cave. Someone later would ask, What did you talk about all night? The truth was that we didn’t talk much; we used all of our powers of concentration to conserve warmth.

I suppose what those people may have meant by that question was, Did you pray?  The answer is the same: I had only one thing on my mind: what could I do to not freeze to death?

My idea of prayer, to the extent that I believe in it, is that it may be performed only with the intention of serving others.  In this way it’s like Aristotle’s idea of courage: an act can be courageous only to the extent that it benefits other people.

My son Dougal asks me if I remember the time we found a hawk, dead in our backyard in the Midwest.  This was not the same hawk his brother had tried to save, but another.  I remembered that hawk vividly because its heart had been cored out of its body, very precisely.  And this was an eerie fact that I hid from my sons.  I had wanted to consult a biologist as to the cause of this phenomenon, and considered preserving the hawk in our freezer, although I ended up burying it at night, alone, in the frozen earth.  The other memorable fact concerning this event was that it was Christmas day.



The crucifix I ordered for my son arrived the day after his funeral service at St. Benedict.  I gave it to his brother.

Harrison was right, the world will grind us underfoot, along with our fluttering unknown gods. We must summon all our resources, real, and hoped for.  I think God help us all. I’m not sure it’s a prayer, exactly, but I will confess to you I am sneaking myself into the all.

†††





Wednesday, March 29, 2017

Tapering Off



Editing the American Alpine Journal book reviews I am struck by Clint Helander’s observation about Simon McCartney’s The Bond, the story of his and Jack Roberts’ two legendary and mysterious Alaska Range ascents.  Clint rightly observes that the book is about McCartney’s strength to walk away from it all, which he did abruptly and nearly permanently, emerging only now to tell a nearly 40 year old story.  Helander is in the Revelations as I write this attempting to slay yet another AK dragon.

I saw Andy Kirkpatrick in Banff last fall and over breakfast I asked what happened to his plan to solo Denali in winter—I had expected to see him the year before.  Kirkpatrick has made a writing career out of describing his sufferfests in the mountains.  When you’re reading, you don’t wish for a second to trade places with him.  Andy said that someone, Damien Gildea, as I recall (later: Damien has confirmed this) explained to him that he really didn’t have to do it.  Andy listened.  This time.

At the American Benefit Dinner Mark Twight accepted the Robert and Miriam Underhill Award, which is basically having official badassery conferred upon you.  Mark said that he quit climbing in 2001(I forget exactly when) but that he has thought about it every single day since.

I was reading a thread on Supertopo about Tomaz Humar this morning.  The Slovenian with the bonecrushing handshake who died on his solo attempt on Langtang Lirung's south face.  There was a sense of inevitability about it.  Rolling the dice, and he knew it.

Back when I took running seriously, I liked to say that my favorite strategy was “Start slowly and taper off.”  I was in my late 30s when I said that and thought it was joke.  Now I’m in my 60s .

After Charlie Sassara and I climbed Peak 11,300 in 2015 someone asked him how fast we went on the climb.  Charlie sad, “As slowly as we possibly could!”  Which was really true.  We went the same pace pretty much the whole climb, simulclimbing most of it, but even when we pitched it out moving at about the same pace.  We spent two nights out.  Just about right.

Late last fall Ralph Baldwin and I got caught out in the backcountry and had to survive a night out in a snow cave tempting hypothermia before the helicopter evacuation (a long story).  I remember thinking that if I got through that night I would be satisfied to climb easy bolted rock climbs in the sun, and ski on groomed intermediate runs at the resort.

Then last month I was down at Crystal Mountain skiing with two of my oldest friends Mike Schonhofen and Scott Baker.  Scott has always been en excellent skier, me: not so much. One of Scott’s favorite stories to tell, and he told it a time or two this trip, is about me was of skiing down a long pass in the St Elias Range roped to Jack Lewis—neither of us knowing how to ski.  We would ski until one of us fell and then the other would ski to the end of the rope and be elastically jerked into the air.  We fell uncountable times.  It was a five-mile run.  Scott remains vastly amused by this memory.  I mostly remember that when we got to the bottom of it we could see for the first time our objective, Mt. Kennedy shining in the nearly endless Yukon twilight.

So, Scott wants to show me the mountain.  Mike defers saying: “They used to make you sign a waiver to ride that lift.” 


But up I go.  It’s snowing hard and the snow is deep under our skis. It is not an intermediate run.  Or even close.  Strictly Black Diamond terrain. Steep and through the trees.   Barely manageable for me.

I am a slow learner. Scott gets me up there one more time and I go down a bowl, visibility bad, the snow deep.  Again, not very gracefully.   And I am thinking, “This tapering off.  When does it start?”


Photo: Ralph Baldwin searching for a cell connection or a landing zone in the Talkeetnas, October 2016

Thursday, September 22, 2016

Ten Sentences Newly Embedded in My Head This Month, September '16

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“They take a time-honored event and repeat it, repeat it, repeat it, until something new enters the world.” (4)  This sentence was transcribed onto a tiny purple piece of paper by me, a long time ago and I found it on the floor of the moving van when we moved.  I don’t know the source, page 4 of something.


“I thought that watching the amputation could be the final step in accepting the totality of the danger I posed to myself: my willingness to be completely absorbed by the natural world.”—Kyle Dempster, about a year and half prior to disappearing with Scott Adamson on the Ogre II in the Karakoram, as reported to Alpinist.


“Rabbit Hendricks––a compact man with an ill-fitting set of dentures—was finishing a sketch on the back of a postcard of Damascus that was to serve as a replacement for a disintegrating photograph of Lizard Brancusi’s wife, Maisie.”—from Richard Flanagan’s, Booker-winning, The Narrow Road to the Deep North.


“Send out all your dogs and one might return with prey.”—Werner Herzog in A Guide to for the Perplexed, which I returned to this week after seeing his new film, Lo and Behold, Reveries of the Connected World.


“I had a great day climbing today, and I was excited to post on social media about it, and then I remembered, oh yeah, fucking cops just shot an unarmed black man with his hands up—after he was already tazed.”—the writer/climber Chris Kalman on Facebook  September 21, 2016.


“A woman from the State Medical Examiner’s Office first removed the dog from the incinerated plane, wrapping it in a white cloth she carried in both hands.”  --Devin Kelly in the Alaska Dispatch News, September 11, 2016.  This plane went down about a mile from our house and we saw the scene, all yellow-taped and charred trees on our way up the mountain the next morning.


This isn’t the ending we want and the new statistics [on date rape] won’t serve up an Everything’s Gonna be Alright resolution either, but I have been as precisely afraid as the world still requires a woman to be” –the brilliant Debra Monroe, from “Trouble in Mind,” The Rumpus, September 11, 2016


“There comes a time when you realize that everything is dream, and only those things preserved in writing have any possibility of being real.” –the epigraph of James Salter’s last novel, All That Is.


“Continue up the airy wall, moving slightly right to gain a shallow groove leading to the top.”-- sentence from Murray Toft’s description of Le Solier, a climb I did with John McInerney on Tunnel Mountain in Banff earlier this month.  (Alert: this is an older guidebook and the ratings are not to be taken literally!)


“I shall always think of you and feel about you the way it was that Fourth of July three years ago when you met me at the boat, and we went out on the café on the river and had a drink and later went ton top of a tall building, and all the strangeness and glory and the power of life and of the city was below.”—Thomas Wolfe in a letter to Max Perkins, written just before he died at the age of 37.  This sentence came up twice in one week: first, in the movie Genius about Wolfe and Perkins (see this movie!) and second, cited by James Salter in The Art of Fiction.


*  Sentences listed alphabetically by author, first one is "anonymous," for now.



Thursday, June 2, 2016

Sweet City Woman, Summer 1971


The summer after graduating high school.  We might get drafted, but we probably wouldn’t.  I had a lousy job in downtown Detroit.  I took the bus to get there, straight down Michigan Avenue past Tiger Stadium.

I remember this one particular Sunday night driving back to Detroit across the Ambassador Bridge.  We had been at the Murphy’s cottage on Lake St Clair, probably having drunk too much, as the drinking age was lower in Canada.  The bridge itself, for those of you who don’t know it, is an enormous suspension bridge.  As I child I was deeply frightened by its sheer height.  Now, cool air off the water cut the humidity a bit and we were on our way home.

I remember cresting the bridge around sunset and you could see all of Detroit lit up in that last brilliant flash of light before the sun was gone. 

We were in one of the McClowry’s convertibles—a newish red Ford LTD. There were the four of us: the McClowry twins and Tommy Murphy.  It’s funny, back then we never called him Tommy, but that’s how I think of him now.

Anyway we were laughing the whole time and I remember Terry singing in this hilariously high voice, along with the radio,”Swee ee ee ee ee, sweet city woman, sweet sweet sweet sweet city woman.”  We couldn’t stop laughing and Terry would stop and give us this hard look and then laugh and continue singing. Terry was a big guy, a world class athlete and both he and his brother Pat would go on to storied college football careers at Michigan State.  Everything was funny, that night and all summer long.  If someone had asked we would have agreed that most likely we would all live forever.

That’s it: no drama.  Just four guys on the verge of changes, the future, whatever it would hold, unknown.

Terry’s been gone a couple years now and I think all of us who knew him remain in shock to this day.  Tommy called me the day we heard and it was just unimaginable.  I hadn’t seen any of them in a quarter of a century, and that’s something I couldn’t have imagined back then.  I miss those days, those guys.

Audio (!):  https://www.youtube.com/watch?v=2CPt3eSBJiQ

Monday, January 4, 2016

"What's on your night stand?"



When asked what books were on his nightstand, Simon Winchester replied, “It’s rather like a dog’s breakfast.”  I first understood this to mean “a complete mess,” but later wondered if it meant “a little bit of everything.”  Turns out my first impression was more accurate.  In my case, though, it is both: a complete mess and a little bit of everything.

The actual surface of my nightstand is small and usually too cluttered to hold a single book.  Instead, at its feet are three stacks of books.   The stacks are governed by no organizing principle and are in a constant state of reshuffling.  They consist mostly of books I have not yet read, but which I intend to read.  An exception to this are a group of signed books I brought back from the Banff Book Festival: Bernadette MacDonald’s Freedom Climbers and Barry Blanchard’s The Calling among them.  These await my finding a more hallowed permanent location for them.  Also among these is a Paul Zizka photo book of the Canadian Rockies, Summits and Starlight.  It’s a guilty pleasure like a hidden box of chocolates.

A second category is really just three books: Thomas Mann’s Lotte in Weimar, and Goethe’s Elective Infinities, a nice hardcover edition published in the 1960s and recently found at Powells.  I also found a nice hardcover edition of the Goncourts Journals—Paris in the 1700s—my curiosity having been piqued by Heidi Julavits repeated mentions of failure to make progress with them (the Goncourt brothers) in her memoir, The Folded  Clock.

A third category is “newly acquired,” which in addition to the Goethe includes other titles from the Powells junket: Denis Johnson’s nonfiction, Leap, and two of Julavits fictions: The Effect of Living Backwards and The Vanishers.  Also: Michel Farber’s’ The Book of Strange New Things.

Almost forgot this category: books sent to me unbidden in my capacity as book review editor of The American Alpine Journal.  These break my heart because most of them will not be reviewed, nor will I read them.

This accounting mentions fewer than half, I’m sure.  And some of the rest are unclassifiable.  There is the Selected Poems of Pat O’Neill, a massive book (for poetry) of 379 pages.  These were culled from various flashdrives and garbage bags of notebooks by the composer and great autodidact, Jerry Brennan.  Never heard of O’Neill?  No, you wouldn’t have; he’s an old high school friend turned northern Michigan curmudgeon (according to his wife) poet.  The work is extraordinary.

Since all these categories (such as they are) are shuffled together my copy of the Dalai Lama’s daily meditations is usually out of sight, and therefore, also out of mind; but when it manages to percolate to the top of one of the a stacks I try to read from it daily.

If “What’s on your nightstand?” is really just another way of asking “What are you reading now?” the answer is Julavits’ The Effect of Living Backwards, which I came to from reading her nonfiction first, a reversal of my usual practice. Thus I am reading “backwards.”  In that book she wrote this sentence: “I am a wallet head of exuberance.”  I would be happy to read a whole book just to find such a sentence, but I liked the rest of them too.

This gives me an opportunity to foresee another obvious question and just come out and tell you that the book I read last year that I loved most was the aforementioned The Folded Clock.  Like much of what I love most it’s hard to articulate why this is so.  When I finished reading it, I immediately started reading it again from the beginning like a chain smoker lighting his next cigarette off the butt of his last, saving a match and keeping the chain linked.

A couple days before Christmas I was in John King Books in Detroit, one of my favorite places in the world.  Oddly, I left without making a purchase, though I had picked up a copy of Chris Bonington’s The Everest Years at an antique store a day before; it too now rests in one of the stacks by my bed. Nonetheless, I enjoyed every breath I took inside of John King Books.  In addition to the breaths, I took photographs, somehow invoking the environmentalist credo: leave only footprints, take only photographs.

All things considered, this dog eats a pretty damned fine breakfast.

Monday, November 16, 2015

Byron Glacier, June 24, 2009



My son’s first glacier. He, who has been stumbling through his fifteenth year, moves as if born attached to these tools, performing a dance more natural than walking. Even his frontpointing appears effortless, delicate, as if he’s tiptoeing up a sidewalk upon which his heels will never touch, as if youth holds some antidote for ice and gravity. He wants what we all want: more.
            Farther, steeper, higher, the whole mountain, and then, of course, another.
            He knows I go to the mountains, but I don’t think he knows why. And here he is, treating this ice work, this frozen world, with a kind of reverence, as if guessing that for him, too, salvation may be found here.
            Now that we cannot pretend they are not shrinking, every visit to a glacier is more sacred than ever. The Byron is so close, our backyard glacier, an hour by car from Anchorage and only a mile more of flat walking on a well-maintained trail before we enter the primeval world of snow: a jumble of seracs, leaning towers, perfectly named erratics of rock and ice, the alluvial fans of debris where a dozen miniature avalanches have spread their wares as a card dealer fans the deck, pick a card.
            Random, he says, one of his favorite words. He’s right, sure, but I don’t like to encourage him: he seems to see the whole world in the word.
            A glacier is called alive because it moves, advancing, retreating, a frozen army.
            It also speaks. Under the rush of wind, the sound of rushing water. Under the snow, under the ice, creaks and groans, every once in a while a crash, an echo. Ancient, almost translatable, it says beware in every tongue. Jake Breitenbach knew that mountains move: his elegy tells us, his body encased within the Khumbu Icefall. And closer, on Denali, Mugs lies in the crevasse that “swallowed” him “silently, quickly,” as his clients said. When I would see Mugs around town, at the bakery, I was surprised that he walked around, lived, and breathed the same air as the rest of us; but if you knew what he’d been doing in the mountains, it would have never occurred to you that he wasn’t immortal. 
            We say he died doing what he loved. We say he was in the wrong place at the wrong time. We say when your number’s up, your number’s up.
            But for us this is the right place and the right time. The mountain won’t move.
            We will. Upward, we reach the toe, or the head, opposites that describe the same feature when applied to glaciers: the terminus. Or is this the beginning?

This is the week of the Northern solstice when time becomes unhinged. We’ve got all night, dad, my son says; he sounds exasperated that I want to stop just after nine pm. The sun won’t set for hours, but now it’s gone behind a ridge. In its shadow, we return to winter. We layer on all our clothes, point out with our axes the possible routes to the summit, etching them into memory for future use.
            Why the ridge and not straight up? he asks. Damn, I think, Day One and already with the straight up. I explain the likely paths of the seracs above the directissima, the probable crevasses, and then, for balance, the lesser dangers of the cornices on the ridge. That’s a real word? he asks, direttissima? He looks at me as if for once in his whole life I have told him something possibly useful for navigating the world.
            On the way down a new landscape appears: ice chunks, aglow in the twi-night sun, float across Portage Lake like burning ships. Above the lake, more snow and peaks float on the shadowed forest, alight in the long alpenglow, gateway to the infinite: Begich, Boggs, Maynard, their names map-learnt, not yet experienced. 
            I think of the way my British friends say the word glacier: Glahss-y-ear, making it sound the enchanted place that it truly is. My son and I have been to the glahss-y-ear but my language won’t hold it. “Earth’s the right place for love,” Frost best said, and like him, I don’t know where it’s likely to go better.

Monday, October 26, 2015

The New Yorker Asks Some Questions


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I was in an interrogative mood when I read the June 22 issue of the The New Yorker.  Not to be confused with an Interrogative Mood, which is a book by Padgett Powell that I love and that I believe to be a work of genius—check it out, please.  No, I was reading The New Yorker in a particular way: seeing only the questions: in titles in subtitles, in carton captions and in every form of writing, sometimes spoken by subjects, sometimes by the writers.  Here they are:
 “What Else Can Art Do?” [1]
“Was that a lady I saw you with last night, digging up parsnips at Farming Field 3908, or was it just a commissar of the Forced labor Brigade?”[2]
“Chapel Hill wasn’t tiny––what were the chances it was someone they knew?”[3]
“You remember that movie ‘The Constant Gardener?’”[4]
“Before we send a man to prison, shouldn’t we at least be positive that he’s not rich?”[5]
“When should people with a non-terminal illness be helped to die?”[6]
“So what if there was no precedent for a full-scale human melt, bodies reduced to liquid flowing from a window?”[7]
“What is soft dick rock?”[8]
“If  ‘the novel’ belongs to the parents, to the generation that witnessed and suffered and did thongs (or, in the case, of the narrator’s parents, did nothing very much) then what is left for the next generation?”[9]
“It’s as if each picture wondered, ‘What am I? Am I even art? O.K. but what does that mean?’”[10]
“What must he do to keep her?”[11]



[1] Calvin Tompkins, “What Else Can Art Do?”
[2] Bruce McCall, “Shop Till We Make You Drop”
[3] Margaret Talbot, “The Story of a Hate Crime”
[4] Connie Bruck, “The Inside War”
[5] Paul Noth, cartoon caption
[6] Rachel Aviv, “The Death Treatment”
[7] Ben Marcus, “The Grow-Light Blues”
[8] Anwen Crawford, “Soft Apocalypse”
[9] James Woods, “The Story of My Life”
[10] Peter Schjeldahl, “Painting’s Point Man”
[11] Anthony Lane, “Fighting Monsters”